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(C.1) It is common t o use a set of kinematic variables s, p,, and y where f i is the center-of-mass energy, p , is the transverse momentum, and the rapidity y is defined bv y = -log +pL = tanh-'pL, 2 E-PL where E2 = p2 m 2 and pLz uL/c (longitudinal velocity). For small pL we have y N uL, so rapidity is a relativistic analog of velocity. A Lorentz boost along the longitudinal axis from a frame K to a frame K' changes the rapidity in a simple way: y' = y tanh-lp, (C-3) where p is the velocity of K' with respect to K . Thus distributions expressed in terms of y have shapes that are invariant under such boosts. The pseudorapidity 7 is defined by

The real magic comes from the attached JavaScript script and the script tag at the bottom of the page that initializes the accordion object:

Catalyst bases much of its design paradigm around the idea of components. Almost every graphic in a Catalyst project ends up being either a component by itself or a part of a component.

BinarySernaphore mutex = new BinarySemaphore(true1; mutex.P(); criticalSection0; mutex.V();

. . . . . . . . .

4

1. Drag a sublayer s content to another sublayer. 2. Click the sublayer. 3. Click the Delete button in the bottom of the layer panel (see Figure 20.13).

Regardless of the method you use to create a selection, they are temporary affairs and can disappear altogether if Photoshop quits for some reason or you have a system freeze and have to shut down. To avoid having to recreate a selection that you have spent hours creating, you can convert it to an alpha channel and save it in the file. You then have the option of loading the selection at any time. Alpha channels do add to file size, but the tradeoff is more than worth it for the time that can be saved not having to recreate the selection down the line. To save a selection, take the following steps: 1. With the selection active, choose Select Save Selection, or click the Save Selection as Channel button in the bottom of the Channels palette (second from left). 2. If you intend to save more than one selection, give the alpha channel a name. You can do it by double-clicking the default name or pressing Alt (Windows), Opt (Mac OS) before you click the Save Selection as Channel button and then entering a name in the New Channel dialog box. 3. Save the file especially if the selection took you more than a few seconds to make! As mentioned earlier in the chapter, not all file formats support alpha channels. However, the most popular formats, such as PSD, PDF, TIFF, BMP, PICT, Targa, and Pixar do support alpha channels.

You can set up a simple logical formula to determine whether two cells contain the same entry. For example, use this formula to determine whether cell A1 has the same contents as cell A2:

(1 10)

As shown in Figure 7-2, del.icio.us direc.tor consists of a user interface sliced into two main areas a series of tag-browsing columns at the top, and bookmark search results at the bottom. Using the columns of tags populated from your collection, you can narrow down the list of results by tags. Each column specifies an additional tag keyword in the field at the top of the page, in which you can also supply a keyword prefixed with d: to perform search filtering on the description field in bookmarks.

A chart can have several different types of titles: n n n n n n Chart title Category (X) axis title Value (Y) axis title Second category (X) axis title Second value (Y) axis title Depth axis title (for true 3-D charts)

The Spot Healing Brush, Healing Brush, Patch, and Red Eye Removal tools must be used directly on the layer that contains the pixels to be fixed. Therefore, you should duplicate the layer that contains the image before you work. By doing so, you preserve the original image and follow the idea of doing only nondestructive editing. You can duplicate a layer by selecting it in the Layers panel, then clicking Layer Duplicate Layer from the main menu.

Fig. 6-19: Use Move/Copy to move the drawn line on the top surface along the vertical axis to fold the top face to make a roof.